Five Ways to Climb out of the Anthology Slush Pile and Shine

Five Ways to Climb out of the Anthology Slush Pile and Shine

by Kelly Lynn Colby

After hitting send on your short story, that little piece of hard work gets tossed into the virtual slush pile along with a plethora of other stories from writers eager to see their name in print—and maybe even cash that check. We do need to eat.

I’m going to tell you a little secret. Editors have so many submissions to sift through they’re not searching for reasons to love a piece. They’ll reject as many as possible as quickly as possible so they can find the nuggets of treasure hidden among the rest. If you want to make it into the vault of awesomeness soon to be printed within a dust jacket, you’ve got to make it difficult for the editor to say no by avoiding the most common mistakes.

  1. Follow the Submission Guidelines

Carefully read the guidelines and follow them precisely. Writing might be an art, but submitting is a science. Check everything twice before hitting that send button. It’s super easy for an editor to reject a submission because the writer sent a .pdf file when a .doc was requested. Side Note: If they don’t specify how to format your manuscript, use this handy guide. You’ll look professional and the editor will appreciate the effort.

  1. Match the Publication’s Preferences

Every anthology or magazine has a specific flavor they prefer. It’s your job to mirror their tastes. If it’s a clean PG-13 publication, don’t send them erotica. If they like quick-moving plots, don’t send them a long diatribe about what you had for breakfast. The best way to familiarize yourself with their preferences is to read a sample of the stories they’ve published in the past.

  1. A Story Needs a Beginning, a Middle, and an End

This might seem like common sense, but I’ve personally rejected more stories than I can count that only describe a scene or leave off in the middle of the telling without any sort of satisfying ending. A story has a beginning, a middle, and an end. That’s true whether it’s 100K words or 2000.

  1. One Character in One Pivotal Moment

This is a short story—sometimes even flash fiction—we’re talking about here. There isn’t a ton of space to speculate or dump a bunch of back story. Concentrate on one character during one pivotal moment in their life and bring us along for the ride. On a side note: name your characters. Few things will have me reject a story faster than if it starts with something like “the girl.” Nope. Next story.

  1. Reject Your First Two Ideas

You’d think we’re a big world and no one could come up with the same idea. But you’d be wrong. There is such a thing as zeitgeist and many writers can be tuned into certain frequencies that look remarkably the same when formulating a story for a themed call out. When an editor for an anthology is reading the same idea for the fifth time, it’s really easy to reject it so they can move on to something else. So don’t write the first thing that enters your mind. Think on it a bit until something truly awesome makes itself known. Then write that.

Hopefully, these tips will help you avoid common rookie mistakes when submitting to an anthology. There’s nothing like getting that acceptance letter.

If you want to know another secret, editors are just as happy to send them. Every letter means we were lucky enough to find a golden nugget that, for just a moment, warmed our cold little hearts and reminded us why we do this job. Because we love to read as much as you love to write.

Now that you have a few more tricks up your sleeve, slip on those muck boots and get to climbing.

As publisher and editorial director at Cursed Dragon Ship Publishing, Kelly Lynn Colby gets to combine her two favorite things—authors and reading—into a career full of mischief, adventure, and inspiration. She even finds the time to create some worlds of her own. To find out more about Kelly and her publishing company, check out

2023 is the Year of the Kraken

2023 is the Year of the Kraken

Guest Blog by Rosemary Williams

Okay, well maybe not officially, but by the time JordanCon is done this year, it will be! We shall release a horde of tiny, adorable krakens in the form of crocheted octopuses! (Octopi? Octopodes?)

Some of you may have noticed these adorable little beasties making the rounds last year. This year, Rosemary Williams is going to teach you how to make your own! I mean, look at these guys. How could you not want one? Or two? Or seventeen?

Tiny Crochet Kraken in many colors

For a $5 workshop fee, 25 lucky crafters will receive a crochet hook, and enough materials to make at least two tiny eight-armed friends. But we bet you won’t be able to stop there. Oh, no. The floodgates will open, and the krakens will spill out and soon the world will be ours! Ours! Muahahaha…ha…oh. Right.


So please, join the workshop and Crochet the Kraken!

Meet Our 2023 Toastmaster!

Meet Our 2023 Toastmaster!

Halito! Hello! When Jennifer Liang asked me to be Toastmaster for 2023 I said yes almost instantly. Attending JordanCon caused many new beginnings for me. I can’t imagine the last decade of my life without the connections and opportunities stirred by the winds in Dunwoody, GA.


This will be the 15th year for JordanCon. The 10th anniversary of A Memory of Light and the first season of the Wheel of Time show were two pivotal moments in the WoT fandom. How will the next few turnings of the wheel change the fandom and JordanCon?


JordanCon’s 5th year was a turning point for many fans and attendees, including myself. A Memory of Light was newly published. An ending had occurred. All of Team Jordan and Brandon Sanderson were attending. Leigh Butler, leader of the Tor Wheel of Time Reread, was the Toastmaster. A large number of the Leigh’s Loonies, my online fandom group, were attending for the first time. I told my spouse I had to go, for “It might be my only chance to ever meet them all!” 


How I laugh at my “only chance” comment now. JordanCon friends became a new family. Since 2013, I’ve attended all but one year. The weekend energizes me in ways hard to put into words. The friends I have online every other week are next to me and we can just talk, or hug, or chill together in person. This joy is shared by all who post using #IsItAprilYet. 


Since the 5th year of JordanCon, the community has grown in multiple ways. I thank the community for enabling my growth as well. The confidence I gained in becoming the (former) Workshop Director and a panelist filtered into other aspects of my life. From sharing my fan art food creations, to sharing my opinions and writings. I went from reading blog posts to writing articles for them. I went from entering the costume contest to judging the contest. I went from a book lover to a beta reader for multiple best-selling authors. My younger shy dyslexic self could never have imagined being an active part of creating a novel, let alone over a dozen. Parts of the last ten years boggle my mind, while also bringing me great joy.  

Deana wearing her Veil cosplay.

Now I get to share a part of this joy as Toastmaster of JordanCon. The Toastmaster is the master of ceremonies. They help kick off the fun and welcome everyone to the convention. I remember feeling thrilled while watching Leigh Butler give her welcoming speech. It was the start of an amazing weekend. I hope to start the 15th JordanCon on a similar entertaining footing. JordanCon has found a wonderful recipe for success, and I plan to highlight several flavor notes as Toastmaster. 


JordanCon is about welcoming people to the buffet table. This includes our amazing Guests of Honor. As this year’s Toastmaster, I consider it an honor and privilege to be able to interview this year’s author Guest of Honor, Wesley Chu. I’ve been a fan of his for years, since reading his Tao novels and his season 12 co-host role on Writing Excuses. His newest novel, The Art of Prophecy, is his “love letter to the wuxia genera.” It is the start of a very promising journey. 


Equally impressive is our artist Guest of Honor Omar Ryyan. His art is full of whimsy, grace, and fantasy creatures. His work reminds me of the best of Romantic era paintings. My costumer’s heart delights in the fine detail he pours into clothing, accessories, and finer details. What a delightful addition his work will be to the Art Show! 


Welcome home to JordanCon everyone. I look forward to sharing the community table and ribbons with everyone in 2023. Come talk to me about your favorite flavors, cuisine or literature, your choice. 


By Deana Whitney

A Perfect Partnership with Leia Powell

A Perfect Partnership with Leia Powell

JordanCon is thrilled to announce a special partnership with long-term vendor and JordanCon family member, Leia Powell!

Leia approached us about creating some incredible licensed JordanCon stained glass artwork, and we agreed this was a wonderful opportunity to see our convention represented in a unique and beautiful way. We will be posting more information closer to the event about where you can find these pieces and how to make sure you get one, but we were just too excited to wait to share the news! Start saving up now, though. As you can see from these previews of the designs, you’re definitely going to want to take a piece home with you.


For more information, please see our Attending Professionals page and scroll down to Leia Powell for her bio and an amazing interview. We can’t wait for you to see all her awesome art in just a few short weeks!

JordanCon Chats with Author Guest of Honor Marie Brennan

JordanCon Chats with Author Guest of Honor Marie Brennan

We’re thrilled to welcome the fantastic Marie Brennan to JordanCon 2021!

​Marie Brennan is a former anthropologist and folklorist who shamelessly pillages her academic fields for material. She most recently misapplied her professors’ hard work to Turning Darkness Into Light, a sequel to the Hugo Award-nominated Victorian adventure series The Memoirs of Lady Trent. The first book of that series, A Natural History of Dragons, was a finalist for the World Fantasy Award and won the Prix Imaginales for Best Translated Novel. 

Her other novels include the Doppelganger duology of Warrior and Witch, the urban fantasies Lies and Prophecy and Chains and Memory, the Onyx Court historical fantasy series, the Varekai novellas, and nearly sixty short stories, as well as the New Worlds series of worldbuilding guides. Together with Alyc Helms as M.A. Carrick, she is the author of the upcoming Rook and Rose epic fantasy trilogy, beginning with The Mask of Mirrors that came out in November 2020. (See the interview below for some sequel news!)

Marie recently sat down for a Q&A session with JordanCon. From us to you, we present the fruits of a chat with Author Guest of Honor Marie Brennan!


JordanCon: What are you looking forward to the most about JordanCon 2021?


Marie Brennan: Honestly—given the circumstances—I’m looking forward to simply being at a con! I haven’t attended one in person since FogCon in early March 2020. The chance to hang out in person again and geek out over fantasy just sounds hugely appealing.


JC: What is your favorite type of book? Be as specific (or not!) as you’d like.


MB: It’s hard to narrow down to a specific type, but I’ll say I really like a well-done series arc—the kind of thing where the books are all building toward a conclusion, rather than something more open-ended and episodic. I also love secondary-world fantasy that feels truly immersive with its worldbuilding. But I also enjoy historical fiction… I’ll stop before I wind up listing everything I read!


JC: Do you remember the first thing you ever wrote? Can you tell us a little about it?


MB: The first thing I remember writing dates back to when I was a mystery reader, not a fantasy reader. It was the summer either before or after third grade—I can’t recall which—when a woman was babysitting me, my brother, and the two sons of another family. She taught us how to make little books with fabric-bound cardboard covers and the pages stitched into the spine; well, naturally I wrote a story in mine. All I recall is that 1) it had to do with someone stealing local pets (the line “you’re mine now, kitty” sticks in my memory to this day) and 2) I somehow got it into my head that I had to fill all the pages… so as I got further along, my handwriting got bigger and bigger and eventually I wound up listing every last thing my main character packed when she went on a trip at the end of the story.

I like to think I’ve improved a bit since then.


JC: Our theme for this year is Con of Legends, in reference to a particular time period (Age of Legends) in the Wheel of Time series. With that in mind, tell us:

Do you have a favorite legend (story)?


MB: Oh, yeesh—I have a degree in folklore, so I know too many to really pick out a single favorite! But the Scottish border ballad “Tam Lin” is a big formative influence on me, specifically through Diana Wynne Jones’s novel Fire and Hemlock, and then later Pamela Dean’s Tam Lin.


Are there any legends in which you’ve taken a deep dive (or would like to) in terms of research/nerding out?


MB: This isn’t legends in the technical sense, but I’ve done deep dives into both English fairy folklore (for the Onyx Court series) and Japanese yōkai lore (for The Night Parade of 100 Demons). As for what I’d like to learn more about… frankly, everything! I love feeding my brain lots of different tales.


JC: What do you believe makes a character “legendary”? And/or, what do you believe makes a setting or fictional world “legendary”?


MB: I don’t know that there are any fictional settings I think of as “legendary”—I’m more likely to attach that word to a character. In that context, I tend to assign it to the characters that become timeless in some fashion, where we tell many stories about them long after they were first created. (Though the pedantic folklorist that lives in my brain immediately points out that this is not what a “legend” is. The pedantic folklorist can hush.)


JC: Is there anything else you’d like to share about yourself or your work?


MB: Since not everybody realizes there’s a connection, I should mention that in addition to my work as Marie Brennan, I’m also half of M.A. Carrick (the other half being my friend Alyc Helms), author of The Mask of Mirrors and its sequel The Liar’s Knot, coming out this December! And I always like to plug my Patreon, for anybody who’s interested in anthropology and worldbuilding.

Catch Marie Brennan in person at her book signing (Friday, July 18, 3 – 4:00 p.m. ET). Attend her Guest of Honor Spotlight panel in person or online (Saturday, July 17, 12 -1:00 p.m. ET). Additionally, get more Marie at her website,



Considering the Study of Many Dragons: Two Book Reviews & a Cake

Considering the Study of Many Dragons: Two Book Reviews & a Cake

Lady Trent book covers and an ocean cake.

The Tropics of Serpents: A Memoir by Lady Trent written by Marie Brennan

Join me in discussing Lady Trent and her extended study of dragons. As we draw closer to JordanCon time is starting to run short. There is still time to read a few more books before the convention. Each is around 12 hours of audio listening. By now I hope people have checked out Marie Brennan’s website to learn more about her. There is also a good collection of articles about and by Brennan on, including her take on RPG campaigns.

JordanCon family, life hit. I fully intended to have two different articles about these books. Then I fell and injured my hand with less than 3 weeks to the con. Typing is slow going; however, I still want to provide everyone with more about our author guest of honor’s work. Toward that end, this article will cover a summary of book two and three from the Trent Memoirs. It will also showcase a fanart cake I made in appreciation of the sea serpents in book three. Thankfully the cake was made a week before life went sideways. 

Discussing the books this way will include spoilers, but as in my first article, major book spoilers will be below warning lines. 

In The Tropics of Serpents, the now widowed Isabella Camherst embarks on an expedition to the continent of Eriga to study savannah dragons and many other species. On this trip, Isabella takes the steps that will lead her truly down the road as Scirland’s premier dragon naturalist. The elder Lady Trent also warns readers in the preface that scandals and gossip abound for this portion of her life. 

Joining her on the adventure this time is Mr. Thomas Wilker, assistant to the Earl of Hillford, and Miss Natalie Oscott, the earl’s granddaughter. Lord Hillford is around for moral and financial support, but his health does not enable him to travel. Along the way, the group meets Erigans such as: Faj Rawango, Galinke, Okweme, Akinimanbi, and Yeyuama. The Erigan’s are from different backgrounds. They do not share a religion, a culture, or skin tones with the Scirling characters, nor with each other quite often. Readers will see the implied and, at times, overt racism of this world. 

Eriga is a tropical land that invokes images of African savannahs and rainforests with a vastly different power structure than found during Earth’s Victorian history. It is also filled with iron ore deposits in a world hungry for iron. The cultures represented by the various Erigan characters appear to be a blending of African cultures. I appreciate this blending, so that nothing feels like a parody. Instead it feels like Brennan is trying to show the cultures as real and fully developed, though the reader is not immersed in the nuances. 

The main focus of the narrative is about the study of dragons—from the savannah snakes of Bayembe, to the Moulish swamp-wyrms inside the Green Hell—and what Isabella is willing to endure in pursuit of these studies. Even when others want her to stop.

Map of Eriga by Rhys Davies. Swamp-wyrm by Todd Lockwood.

Spoilers: The Tropics of Serpents 

The real strength of The Tropic of Serpents is in the character development. In book one, Thomas Wilker is introduced as Lord Hillford’s assistant. A minor criticism I had was he never became a 3D character in my mind. Brennan completely changes that in this installment. She wrote about this transformation inside her mind on a blog post several years ago. In this book Wilker and Isabella develop a strong working relationship, and more importantly a true friendship. A friendship that is beautifully free of any sexual tension between the two characters, though outsiders kept trying to see some and cause troublesome rumors to boot. I greatly appreciated how a ceremony to banish witchcraft allowed for frank conversations between all the main characters. 

Natalie Oscott transforms from a one scene character into Isabella’s true companion. She is an engineer at heart and her designs help drive the action. Oscott, like Isabella, wants a life different from the expectations of a  Scirling noble woman. Unlike Isabella, her father is not supportive of these goals. Thankfully, her grandfather and friends do support her actions. 

Brennan digs into the realities of being a “lady adventurer” more in this book. From dealing with unwanted advances to dealing with menses in different cultures. Not offending local norms plays a major role in how the subjects are handled. Being a young widow and mother does not free Isabella from marriage expectations, despite what she might wish. For those hoping to see different sexual preferences expressed, the topic is touched upon lightly and more favorably than typical Victorian era novels. 

The conclusion of the novel takes a hard turn away from the study of dragons after Isabella performs a near miraculous feat with the help of Oscott’s engineering skills. She earns the right to learn more about the swamp-wyrms, just in time to defeat an army with them. Readers are teased with more Draconean ruins and rumors of treason. It’s almost unfair how fast paced book 2 is in the last few chapters. Yet it leaves Isabella and Wilker with strong lessons learned about the dangers of making promises rashly. These lessons serve them well in the next installment of the series.

End of Book 2 Spoilers. 

The Voyage of the Basilisk: A Memoir by Lady Trent written by Marie Brennan

The Broken Sea by Rhys Davies.

If you decide to pick up physical copies of these books, I highly recommend the hardback versions. Not only is each book printed with beautiful interior artwork; each book is printed in a different color scheme too. Book three, to match Todd Lockwood’s impressive cover illustration, is printed in blue. Most appropriate for a story that takes place largely at sea and on islands.

Readers join Lady Trent six years after her Eriga trip as she, her son Jake, and Tom Wilker embark on a voyage around the world in search of sea-snakes and more dragons. She and Tom are gathering information to question the nature of dragon classification. If successful, both might achieve the recognition from the Philosophers’ Colloquium they crave, despite the barriers of gender and class that have blocked their paths. 

The Voyage is my favorite installment of the first three books.  It might be due to the Keonga islands, inspired by the Polynesians islands and people. It could be the introduction of the archaeologist character named Suhail from Akhia. It could also be the sheer scope of the adventure told. It’s a literal voyage around the world, which takes them on a two year adventure visiting many parts of the world barely mentioned until this point. 

Beyond the study of dragons, readers learn more about the ancient Draconian civilization that has popped up in the other books. Now more links are being drawn between them and the study of modern dragons and sea serpents. 

Isabella and Thom continue their research as they deal with hostile governments, cultural taboos, tropical diseases, storms, and being shipwrecked. 

Dragon Turtle by Todd Lockwood

Spoilers: The Voyage of the Basilisk 

One of the best additions to the stories is Jake Camherst, Isabella’s now 9 year-old son.  He and his governess Abigail Carew join the expedition as a learning opportunity and as a counter to all those that criticized Isabella for leaving him behind when she went to Eriga. Sadly, Abigail remains a rather flat character, but Jake grows in many ways during the story. He also pushes his mother into some adventures she would have turned down without his prodding. 

The other stand out addition to the story is Suhail, an archaeologist of Draconean ruins met by accident twice during the journey. His desire to learn more about the Draconeans makes Isabella more interested in them as well.  Brennan has said her natural inclinations are better reflected by Suhail, rather than Isabella. He is a character with drive and interest. He also has an ability with languages that enables better communication between the Scirlings and an assortment of other peoples. Like Jake, Suhail also prods Isabella into taking actions. Actions that lead her into the middle of another battle. 

The Keongan people are primarily represented by Heali’i. Who is a Ke’anaka’i and identifies Isabella as one too. These ‘Dragon Spirited’ people are recognized and respected in the culture as different. Yet not being of a related culture or transgender myself, I would hesitate to call it a positive representation. I respect Brennan for including a transgender character in a culture that creates a place for them. She could have not included the subject, but instead it becomes a plot point. This enabled more frank conversions as thought provoking as the witchcraft ceremony of book two. The Keongan people respect the Ke’anaka’i. Isabella respects them by fully acting as one. Indeed, being one opens up several opportunities otherwise forbidden to women.  

The pacing is a bit uneven and will seem slow if you only want action and fighting dragons. This segment is more about the people and animal breeds met along the way.  It includes more self-reflections than in past books. Yet despite these minor issues, this installment inspired me the most.  

End of Book 3 Spoilers. 

More adventures await for Isabella Camherst. Indeed, as of book three, she is still not Lady Trent. That story happens later in the series. Yet I hope these discussions have inspired you to pick up the series and enjoy the full story yourself. 

Words of the Series:

Interlocutor – a person who takes part in a dialogue or conversation.

Much like Brandon Sanderson used “maladroitly” quite often in his Mistborn: Era 1 series, Lady Trent uses interlocutor several times per book. It stood out after the third time I heard the word, and I was finally compelled to look up the meaning. 

Let us all gather in July to be interlocutors together.  Until then, enjoy some tea and cake while reading more from Marie Brennan. 

Ocean Wave Cake: 

The sea serpents and Todd Lockwood’s stunning cover artwork fired my creativity after reading the series. Thanks to this inspiration, I decided to make fan art. My medium of expression has become cake and fondant in the last few years. At the bottom of the waves is an early style diving bell.  I’m rather proud of the engineering that went into creating a twelve-inch tall leaping sea serpent over tropical waves. 

Isabella may enjoy a number of coconuts while in the Broken Sea; however, it is not a flavor I enjoy. So the cake is a lemon sponge with pineapple filling, which creates a sunny look and a light citrus flavor. The ocean waves are made with Swiss meringue buttercream in 4 colors. The sea-serpent and diving bell are fondant over rice-cereal treat. Isabella is made of all fondant. 

Bright lemon and pineapple flavors. Next images will contain spoilers.


Sea-serpent cake with book cover. Figure is 12″ tall. Overall cake is 23″ x 8″


Reverse side of the sea-serpent. I tried to make is square-ish, like Lockwood’s cover.


Isabella riding a sea-serpent. Whiskers made of fishing line.


Article and cake by Deana Whitney
Join her in the Workshop Track at JordanCon.

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