Ruins by Justin Gerard
Calling all artists!
Brand new and shiny! This year’s JordanCon anthology will include art for the very first time! Better yet, it will be art from our very own members! The anthology in which the artwork will be featured will be sold at JordanCon 2022 (April 22-24, 2022), and then on Amazon, to support fundraising for the convention charity!
The JordanCon 2022 Anthology is now accepting 2D art submissions. To submit, please carefully read our submission guidelines.
Submissions are open to any person who has attended JordanCon, past or present. The theme is “Neither Beginnings nor Endings”, with an open-ended interpretation within the field of speculative fiction, including fantasy, horror, and science fiction. Patterns, loops, rebirth, the old made new, etc. Take hold of the creative spirit and let it take you where it will! We are now accepting multiple submissions. Artists selected to be in the Anthology will only have one piece of art selected.
Preexisting art is welcome. No copyrighted or fan art. We will be asking for non-exclusive rights to both print and digital versions of your accepted art as part of any future printings of the 2022 Anthology (e.g., continuous sales on Amazon). All of the art that is accepted will be included in its own Art Show Display!
Artists selected for inclusion in the JordanCon 2022 Anthology will receive the following:
- A US $50 honorarium.
- A complimentary copy of the 2022 Anthology, mailed to you if you cannot attend JordanCon 2022.
- Participation in the mass signing event in Main Programming.
Art pages will be 8.5 x 5.5 inch format size, 1650 pixels by 2550 pixels max, but pieces are not required to be rectangular or those exact dimensions (although it should be at least 300dpi in one of those dimensions.) For the submission, a lower quality or watermarked image is acceptable, but we’ll need the high quality and clean version for printing upon acceptance.
All submissions must be from someone who has attended a JordanCon before or has purchased a membership for 2022. You need not have been a featured artist to submit. So long as you have been to JordanCon, we want to see your art.
To submit, fill out this form.
If you have questions, please email them to email@example.com.
The deadline for art submissions is Monday, February 21st, 2022. We will review the submissions shortly thereafter.
Best of luck, and may creativity smile upon you!
JordanCon is excited to announce that for JordanCon 2022 (April 22-24, 2022), in partnership with numerous of our professional guests, we will be compiling a printed third anthology of short stories. These will be sold at JordanCon 2022, and thenafter available from Amazon, to help support our charity fundraising for the convention charity that year. What’s more, these stories will be written by JordanCon members and guests! Which members? Well, that is what we are about to find out because submissions are now open!
Eligibility to Submit
Submissions are open to any person who has attended JordanCon and not been a guest or published in the 2021 (last year’s) Anthology. If you wish to submit and are a prior guest, or you were in the 2021 anthology, please contact firstname.lastname@example.org for instructions on how to submit as a “Prior Guest”.
The JordanCon 2022 Anthology is now accepting submissions. To submit, please follow the link at the bottom of this page. Please also carefully read our submission guidelines.
The theme of the JordanCon 2020 Anthology is “Neither Beginnings nor Endings.” We are looking for stories that in some way play with the idea loops, cycles, or patterns. Examples could be recurring prophecy, generational power or curses, old stories returning, or reincarnation. This list is not exhaustive, and we appreciate creativity, but a loop/cycle/pattern needs to central to the story.
Stories must also be “Science Fiction, Fantasy, or Horror,” meaning that they must contain elements of one or more of these genres, and those elements must be somehow critical to the story.
We are primarily looking for short stories up to 7500 words in length. We are also potentially looking for a novella to include in the collection, up to 20,000 words in length. When you submit, please indicate if you are submitting to be considered for one of the short story slots, or the singular novella slot.
While you may submit one short story and one novella each, only a maximum of one story per author will be chosen for inclusion in the anthology. Please, only one of each type of submission per author.
All submissions must be in .docx or .rtf format.
All submissions must be original works. We are not looking for reprints from non-guests in this submission process. We will be asking for first print and digital rights and non-exclusive rights to print and digital of your accepted story as part of any future printings of the 2022 Anthology (e.g., continuous sales on Amazon).
All submissions must be in a manuscript format. Generally speaking, that means:
- Size 12 font, either courier new or times new roman
- Double spaced, 1-inch margins, and a half-inch indent at the start of each new paragraph
- No extra spaces between paragraphs.
- Author’s name and the work’s title in the header of each page after the first. Page number in the footer of every page.
- The first page should start with the title, then the author’s name on the next line, then a blank line, then the text of the story.
- Italics and bolds can use your word processor’s formatting. You do not need to do underlines for italics, etc.
Submissions are due August 30, 2021.
Authors selected for inclusion in the JordanCon 2022 Anthology will receive the following:
- A US $50 honorarium for a short story, a US $100 honorarium for a novella.
- A complimentary copy of the 2022 Anthology, mailed to you if you cannot attend JordanCon 2022.
- Two rounds of professional editing service, as well as professional copy-editing provided by past guest editors of JordanCon.
To submit, simply fill out this google form: SUBMIT HERE.
If you have any questions or concerns, please contact the editor, Richard Fife, at email@example.com.
As we’ve shared before, there have been a few changes to the Con this year due to our COVID-19 safety protocols. Charity Auction did not escape these changes. There are a few things you all should know about.
First, for this year at least, we’ve moved back in with the Art Show and Dealers Hall. We’re sharing a much bigger room, and you won’t be able to miss us when you enter. We’re the first thing you’ll see. You’ll have to come through us to get to the Art Show and the Dealers.
Secondly, the Charity Auction will have no paper bid sheets anywhere. We will be using 32auctions.com to conduct all the bidding. The link for the JordanCon Charity Auction is https://www.32auctions.com/JordanCon21. Everything that has been submitted so far has already been set up on the website. Please feel free to browse the auction. There’s some amazing stuff in there and we expect to be adding more items as we get closer. The auction will open on Saturday, July 17, 2021, at 10 a.m. EDT.
It is NOT TOO LATE to submit more items that you would like to donate. Please make any submissions to the JordanCon Charity Donation Submission Form. We need these submissions by July 9, 2021.
JordanCon WILL NOT SHIP ANY ITEMS. Only people in attendance may bid. Anybody not attending is welcome to make arrangements to find a proxy attending JordanCon to bid on, pay for, and pick up Auction items. JordanCon will not coordinate this. All items must be picked up Sunday before noon and again, JORDANCON WILL NOT SHIP.
Please understand that NONE of these items are guaranteed until they’ve been handed over to us. At this point, this is only what we’ve been told will be there. Any of these items may be pulled from the auction if they don’t make it to Atlanta.
We look forward to seeing you all in just a few weeks. And to help tide you over, here are a few items up for sale in this year’s Charity Auction! Enjoy.
History of the WoT Quilt:
On May 2, 2019 Christine Wessling posted in the JordanCon Costumers Facebook group asking if there was an interest in doing a group quilt for the Charity auction. She had experience with similar projects and wanted to give back to JordanCon after being embraced by the Con’s people. Within hours there was a flood of comments and interest. Three days later Christine and Natalie Gehling had developed a plan for the quilt. Each block was to be a book cover using the Tall Tales Quilt Block, but enlarged by 100%. By the end of the following week, all the blocks had been claimed by a JordanCon enthusiast and Joy Allen had agreed to take on the dauting task of quilting the blanket together.
All blocks were turned in by December 31, 2019 so the quilt could be ready for the April 2020 convention. Some blocks were claimed by new people as life hit others. Thankfully all the books were claimed, and a piece was finished for each in time. Then 2020 hit everyone. Allen had finished the quilt, but it was decided the quilt should be held for the 2021 convention when more of the participants would have a chance of seeing the finished work in-person.
Now everyone can enjoy seeing the finished quilt as a preview prior to the July convention. The makers hope many people will appreciate the work put into creating the piece. It was a labor of love by many different people.
Good luck to the winner of the Wheel of Time quilt auction! May it bring you much joy and comfort as you read many books curled up under the quilt.
The bidding will be on Friday and Saturday of JordanCon 2021.
Note on the care of the quilt: Machine wash cold, delicate cycle. Line or lay flat to dry. DO NOT put this in a dryer!!
Full Quilt in all its glory:
Full front of the WoT Quilt.
Full back of WoT Quilt
Below are words written by the creators about what inspired their blocks and a close up image of each.
Please note, there are spoilers for the whole Wheel of Time series in the block descriptions.
Inspiration for the WoT quilt blocks:
Given by those who helped make each block and put the entire quilt together, they share what inspired them to make their portions in the way they did. Minor changes to grammar were made.
New Spring, block by Antoinette Goosetree
New Spring, Antoinette Goosetree: I chose New Spring because I am a Blue Aes Sedai. As I see New Spring is about Moiraine’s journey, I made an excellent, more blue background with her head jewel and the crest of Lan as her bond mate.
Eye of the World, block by Alix Panayotopulos
Eye of the World, Alix Panayotopulos: Because I have always loved the green man.
The Great Hunt, block by Stephanie Jackson
The Great Hunt, Stephanie Jackson: (Did not respond in time.)
Description: Silhouette of three fighters inside a golden horn.
The Dragon Reborn, block by Heather Nathanson
The Dragon Reborn, Heather Nathanson: (Per Facebook post) Inspired to make a gold Callandor against red dragon scales. Was nervous to not mess it up.
The Shadow Rising, block by David Reynolds-Grier
The Shadow Rising, David Reynolds-Grier: (Did not respond in time.)
Description: Nine “Glass Columns” made of beads around a Chora tree at sunrise.
The Fires of Heaven, block by Kate Larson
The Fires of Heaven, Kate Larson:
I really enjoyed how this installment let us learn so much more of Tel’aran’rhiod and its workings. It brought Birgitte, one of my favorite characters, into the spotlight. Her iconic golden braid was something that always fascinated me, so I focused on trying to recreate its complexity in my quilt square.
Lord of Chaos, block by Natalie Gheling
Lord of Chaos, Natalie Gheling: I chose a black Asha’man coat with a Dedicated’s silver sword pin because Rand founded the Black Tower in Lord of Chaos. I chose red with gold flecks for my background to represent the flames and destruction at Dumai’s Wells.
A Crown of Swords, block by Brenna Goode
A Crown of Swords, Brenna Goode: I was asked, as a substitute, to step in and do the block for A Crown of Swords. I had read the books years ago and loved them so was happy to help. Unfortunately, since I’d stepped in late, I didn’t have time to do a more detailed cover, so elected to try some new-to-me techniques to make the block, including printing on the fabric. I chose an image that was a fairly literal representation of the title, trying to make it stylistically appropriate to the books themselves and the rest of the quilt. It was a pleasure to be part of this collaboration!
The Path of Daggers, block by Billie Pierce
The Path of Daggers, Billie Pierce:
Aside from the Bowl of the Winds, there is no great triumph for the Light in The Path of Daggers. However, Rand’s failure to use Callandor against the Seanchan army was a pivotal moment for me as a reader, and I believe he needed this defeat to overcome his hubris and realize that he cannot wield tremendous power without the help and support of others. Ultimately, I decided on a detailed appliqué of Rand’s dragon banner, inspired by the original Darrell K Sweet cover, as an homage to this battle and a symbol of the united sense of purpose that begins to emerge in the series as key players take their first steps toward becoming the powerful people who will defeat the Dark One at the last battle.
Winter’s Heart, block by Christine Wessling
Winter’s Heart, Christine Wessling: I picked book nine because it was actually the first book of the series I found… AND it has the cleansing of Saidin, which is just a phenomenal turning point for the men of the series.
Crossroads of Twilight, block by Tina Pierce
Crossroads of Twilight, Tina Pierce: I chose to recreate the ebook cover, majestically created by Greg Ruth. Perrin has always been a favorite of mine. His crossroad shown on the cover is a major point in his character’s growth. This was his first paper piece work I had done, and it was a great learning experience.
Knife of Dreams, block by Maureen Carr
Knife of Dreams, Maureen Carr: My name is Maureen, but I also go by Mashiara and am an administrator for Dragonmount.com. As my chosen name implies, Land and Nynaeve are my favorite characters within the Wheel of Time series. I first read the novels in 1999 as a sophomore in high school, and Lan’s cool calm and amazing abilities won me over instantly. Once it became clear that Nynaeve was his love interest, I latched onto her as well.
When picking a book within the series to sum up my love of Lan and Nynaeve, there were several contenders. The most notable, though, came in Knife of Dreams. I don’t think any fan had dry eyes after reading about Nynaeve’s trek to the borderlands to secure her husband an army. Hearing the phrase, “The Golden Crane flies for Tarmon Gai’don,” is enough to make me weepy still!
I chose to represent this cry to battle by showing the golden crane and lance on a field of blue, like the Malkier flag. For the spine fabric, I chose the fabric I used to construct my own Warder’s cloak. I put so much of myself into this series and into this quilt piece. I am so happy to be included with so many other fans in this amazing project!
The Gathering Storm, block by Edward Pena
The Gathering Storm, Edward Pena: I chose the scene from the Seanchan attack on the White Tower. I feel like it is a pivotal moment in the Wheel of Time, not only for Egwene and the White Tower, but also for the whole world in the lead up to the Last Battle. Plus, it’s just a kick butt scene!
Towers of Midnight, block by Drew Osburn
Towers of Midnight, Drew Osburn: Hi! I chose the imagery based loosely on the cover of the book where we can see Mat drawing the triangle on the tower to enter. To jazz it up a little I chose to embroider the chapter art from the chapters set in the tower rather than just the plain triangle. It’s my favorite piece of chapter art, so much so that I have it as a tattoo.
A Memory of Light, block by Deana Whitney
A Memory of Light, Deana Whitney: I picked late and was rather nervous about having to represent the final book in the series. There are so many moments worthy of depiction; some, to be honest, were beyond my ability to represent in a quilt block. However, the moment Moraine walks into the tent—causing Rand and Egwene to stop fighting—is a pivotal early moment. I remember crying when reading the scene for the first time. I wanted to show the moment from the outside so I could show the trees. I love the Ogier and felt showing the great trees returning to the land honored them as well.
Fang and Flame, block by Natalie Gheling
Fang and Flame, Natalie Gheling: The ancient Aes Sedai symbol was fun to create, with its sinuous line separating the white and black halves. Surrounding the symbol each blade represents an ajah color of the White Tower. The math to figure out each blade’s angle was a challenge!
Quilt top assembly, Natalie Gheling: My favorite part of being involved in this project was getting to see the blocks in person as each maker mailed their creation to me. I got to hand embroider six other blocks’ titles, and it was fun to use different fonts and colors based on each block. I had the pleasure of sewing the blocks to one another to assemble the face of the quilt, and I am so blessed that everyone involved trusted me with their hard work.
Note: Natalie put a huge amount of time into finishing up the quilt top. As in, at least two full weeks of her quilt business was donated to this process. The hand stitching is gorgeous, and her piecing is literally perfect. I’m actually devastated that she can’t see the final work in person; she put SO much time into it. -Joy
Hand quilting, binding, Joy Allen: This project was a huge undertaking. I didn’t actually do any work on it until after everyone else had finished. I felt like a cheerleader for about 6 months, encouraging, giving advice, and sending out so many reminders. From pictures, I could tell that many of the contributors had put an amazing amount of skill and labor into this project, and when I finally got to see the top with my own eyes, I was still blown away. Literal tears of amazement came at being able to add to what so many had already given. I have never been part of a quilt making like this, and I feel very blessed and honored to have been able to work on it.
Chapter headings: Mat’s Dice, Rand’s first Fang, Perrin’s Wolf
For the quilting, I did a minimal amount within each block to highlight the best features of each. And in the generous amount of white space Natalie gave me, I added in my own favorite chapter icons from the books. Each main group/character is represented, Aes Sedai and Asha’man, Andor, Cairhein, Aiel, Sea Folk, and more, along with the main icons for the major characters. Trying to get the details right and convey the meanings in a different medium was a huge challenge and, to be honest, I was afraid every day that I would mess the whole thing up and it would be ruined. I think, though, that the entire quilt came together more perfectly than any of us could have imagined. And I had a dozen or more cheerleaders encouraging me every step of the 6 weeks that I worked on the quilt.
Chapter headings: Aiel Spears, The Great Serpent, The Seanchan
The binding in ajah colors really ties the entire quilt together and the quilt reverse (where you can see the stitching the best) might be my favorite part. The binding is machine stitched on the front and hand stitched on the back. The finished look is nice and clean.
If you want to learn some of the hand quilting techniques Joy Allen used on the WoT Quilt, join her workshop at the July 2021 convention on Saturday.
Care instructions for quilt: Machine wash cold, delicate cycle. Line or lay flat to dry.
DO NOT put this in a dryer!! It will damage some of the special threads and 3D pieces on the quilt.
Article Compiled by Joy Allen and Deana Whitney
Photos: Copyright by Calista Perazzo Photography, 2021